Waiting for the Ghost Train

Tucked away behind undergrowth and wire fences, near the A66, beside Bassenthwaite Lake (the only "Lake" in the Lake District, tedious pub trivia fans; all of the other lakes are actually "Meres" or "Waters") stands the crumbling remains of what was once Bassenthwaite Lake railway station. The station was part of the Cockermouth, Keswick and Penrith Railway but, along with the rest of the line west of Keswick, closed on 18 April 1966, just over a century after it was opened.

I have always found something rather fascinating about exploring old ruins; as a child, I braved the wildly overgrown ruin of a large house at the end of my village, and for a long time afterwards was obsessed with the vacant rooms I had found, with tantalising hints of their former grandeur. Even today, I love the strangely surreal atmosphere of coming across buildings slowly being reclaimed by nature. So it was, having finished a short hill walk in the Lakes earlier in the year, that I realised I would be passing the ruins of the old railway buildings on my way to my hotel.

Some time before, whilst distracted at work one day and exploring Google Streetview, I had seen the ghostly outline of the old station building beside the main road. There has (and remains) some talk of reopening the line between Penrith and Keswick, which greatly appealed to me, although I fear that it may remain a unrealised dream of enthusiasts. Wist reading about it, I had been looking into the old railway that served this part of the Lakes. Later, I read The Lake District Murder by John Bude, in which the main characters frequently travel up and down this line, investigating shady goings-on, and was curious about this one of many abandoned railway lines. Since its closure, the Keswick to Cockermouth stretch of the railway has been built over, as the A66, which means that, with a little effort, one can imagine a little of the old journey.

I parked the car up a side road and approached the remains of the station building. It roof having been removed (or collapsed), it was clearly in a bad state and it was fenced off, with signs warning against trespass. Not wishing to do so (and, anyway, being unable to find a practical way through the fences), I walked around to the front of the station, along what I realised would have been the track-bed in front of the platform. The elegant wooden waiting room, also without its roof, was still recognisable, with its red and cream panels fading and overcome by mildew, and I could make out the ticket window in what I presume was the station master's office beside it.

Walking along the platform, whose edging stones remained beneath a carpet of moss, it did not take a great deal of imagination to see the building in its heyday, although somehow this made its current state all the more forlorn and sad. For a functional building, it had been created with very pleasing elegance, as I suppose was the way things were done in the 1860s. I wondered whether the craftsmen who laid the stone and created the woodwork ever considered that there might come a time when their hard work would be left to fall apart, but then reflected that few of us think of the future like that. It had been a smart building on a railway line, and presumably something that its station master and railway staff had devoted time and care to maintain, but its time had passed.

Returning to my hotel along the A66, I passed several other obviously railway-related buildings, which had now become homes, and was pleased to think that something of the old railway, beside the course of its old line, remained and was in regular use.

Feeling sheepish

The Lake District has a number of famous inhabitants. Depending on who you ask, they might mention Dorothy and William Wordsworth, Samuel Taylor Coleridge and the other Lake Poets,  Beatrix Potter, Arthur Ransome or Alfred Wainwright, author of the famous Pictorial Guide to the Lakeland Fells. For other people, some of the most famous residents are there still, and will carry on doing so for many years; not the humans who call Lakeland their home, but the Herdwick sheep, 99% of whom are estimated to live in commercial flocks in the central and western dales of the Lake District.

Herdwicks are especially robust animals, and live solely on forage, but tend not to stray, which makes them especially suited to the hills of the Lake District. For those of us who do not farm, the Herdwick sheep are also very distinctive, with their brown wooly bodies and faces seemingly with a perpetual amicable smile, and many people, me included, find them endearingly charming. This pleasing visage is perhaps what prompted the Herdy Company in England to produce a range of Herdwick-inspired products which, with their stylised Herdwick face peeping out, can be found in shops all over the Lake District.

Seeing the Herdwick sheep, perhaps as much as the familiar outlines of the Lakeland Fells, is one of the ways that makes me feel that I have arrived in the Lakes; little brown clouds pottering across the slopes and fields beneath the peaks. It's at least partly because of that pleasing symbiosis that I have a Herdy mug on my desk, when I'm not out walking the Lakeland fells.

Wainwright away

Between 1955 and 1966, Alfred Wainwright published seven volumes of a pocket-sized walkers' guidebook called "A Pictorial Guide to the Lakeland Fells". In the course of doing so, he identified 214 hills and mountains (known as "fells") in the Lake District in Northern England which have come to be known, collectively, as "the Wainwrights". For those of us who are so inclined, myself included, it has become a common past time to walk or "bag" those fells and to "do the Wainwrights".

Not all of us, however, have ready access to the Lake District, and so the process of walking all 214 fells can take several years. Fitter and, for the slower among us, more annoying people have achieved the same thing in six or seven days, but I like to think that they could hardly have savoured the experience. Another advantage about the process being more drawn out is that each time I return to the Lakes, I experience anew the sensation of joy and happiness that comes from the effort of propelling myself over beautiful landscape, with often even more stunning views around me.

And so it was this weekend, when I returned to the hills, almost ten months after my last visit. Having started my car journey pleasingly early, I arrived in the North Lakes in good time to climb Binsey, a low Wainwright, somewhat detached from the main bulk of fells that he catalogued. As it can take me at least five hours' driving to get to the Lakes (sometimes as much as seven or eight, if the traffic is against me), I have occasionally considered some Wainwrights as "expensive", meaning that the effort required to get to and then walk them is relatively great.

If I were to have travelled here to climb Binsey on its own, and nothing more, it would have been an extremely "expensive" hill, being only 447 m (1,467 ft) high, and so removed from its neighbours that it would not have been particularly practical to combine it with any other hills. As it was, I had a longer walk planned for the next day, so this was a bonus. Being only a pleasing 50 minute climb there and back from the car, this gently walk was also exactly what I needed after my drive.

Looking back south over the Skiddaw massif and Bassenthwaite Lake (the only "lake" in the Lake District, trivia fans; the others have "mere" or "water" in their names) having reached the modest summit, I felt refreshed and renewed, almost instantly. The fresh air, the bright sunlight, the endorphins, all combined to blow away the cobwebs that can accumulate, living predominantly indoors over winter, and I found myself grinning broadly, despite myself.

The next day, I walked and walked and walked. I had been planning to climb two other Wainwrights, but as I wandered over the fells, and saw the proximity of several others, I ended up climbing five. I turned back from a possible sixth, as the wintery wind filled with razor-sharp droplets of freezing rain, which pinged harshly against my face, but I was still satisfied. Looking back, on my way off the hill, the wind and rain having abated and the sun breaking through the clouds again, I wished, for a moment, that I had pressed on, but you never know what the weather will do in the Lakes, and it could easily have got worse.

The hills will still be there another day, I considered, and it's always good to have something to come back to.

Feline groovy

I haven't written about this before, but I love cats. I don't have any myself, but wherever I go I am drawn to our bewhiskered dumb chums, and will never consider a moment wasted that is spent communing with my feline friends. I am well aware that cats and the interweb are a well-worn trope, but as we approach Christmas, I feel no (or, at the very least, little) shame in contributing to the global quotient of cat-based blog posts.

I met this particularly smiley cat in Borrowdale in the Lake District in March this year. I first spotted her as she was lurking up a bank, watching with suspicion passers by like me, as we walked along a lane from a campsite to a farm, where the showers were. On spotting her, I blinked my greeting - the traditional way of introducing oneself to cats - and she leapt onto the road to greet me. She was small and friendly, but unquestioningly an independent countryside cat.

Having showered and changed into clean dry clothes (a simple but unbeatable luxury after a cold wet night) I wandered back past her again, on my way back to the tent. She was happy to be stroked, and for a few minutes we passed the time of day in this pleasant way; me tickling her about the ears, and she purring warmly.

After a bit, she decided that there were interesting smells to be investigated beside a nearby stream, and together we checked them out, she occasionally returning to be stroked. Eventually, I decided to leave her to her stalking, and returned to the waterlogged campsite. Later that day, I asked the farmer what the cat's name was. She thought for a minute, and then said, "Oh, she doesn't really have one. She's just Cat."

Winter walking

The Lake District in winter is a very different beast from the Lakes in the summer. It's not just a question of the weather, although in the winter the Lakes are, naturally, colder and, honesty compels me to admit, frequently wetter. One of the most significant differences between the two seasons, however, is in the nature of the transitory population.

In the winter, for example, the towns of the Lake District are more sparsely populated, but the people who are there are, by and large, walkers, climbers and cyclists. This contrasts with the peak tourist season over the summer, when the towns can feel overrun with what Bertie Wooster might describe as, "trippers"; people who are there for the views, certainly, but possibly more so for the cafés and gift shops that also proliferate.

For the walkers, however, that hardy band for whom winter brings with it the promise of snow-covered fell tops on which to wander, the season can make the Lakes feel like your own private playground. After the sometimes overly well-trodden paths of the warmer parts of the year, with the shortening of days comes the knowledge that we are likely to meet fewer people, when out on the hills. As misanthropic as that might sound, it can also be immensely liberating.

These are the people for whom the prospect of a day spent wading through snow and ice is worth the occasionally considerable effort of getting there, however short the day might actually be. We relish the fresh air, the sometimes breathtakingly crisp light, and the opportunity to see familiar vistas redecorated with a canopy of white.

There is something endlessly rewarding about feeling the crunch of snow beneath boots, the catch of cold air in the throat, and the knowledge that at the end of the day there is likely to be a roaring file, hearty food and good beer. This is the season when the smell of fresh air on one’s clothes, as you stumble into a warm pub after a full day on the hills, is as pungent and rich as perfume.

Walking with Wodehouse

There are walking purists, for such people, I regret to say, do exist, who profess themselves to be shocked and offended by the very idea of people walking whilst listening to earphones. For them, the sound of feet tramping through the hills and vales of the landscape, or possibly the far off cry of a mouflon or the howl of a timber wolf who has stubbed its toe on a passing rock, are the only permissible audio accompaniment to a walk.

Nevertheless, the fact remains that some people do listen to music whilst walking, and I have occasionally seen unduly stern walkers visibly reprove such musically accompanied hikers, either with a rolled eye or a disapproving shake of the head. Anything more demonstrative than that would, naturally, be unthinkable, but doubtless those admonishers went on their way satisfied with the knowledge that their points had been made.

To those people, the way that I sometimes walk, when out on the hills of Lakeland, or around the coast, is probably similarly bordering on the unforgivable, but I make no apology. On such an expedition, I am frequently to be found listening to audiobooks of P.G. Wodehouse stories, either read by Martin Jarvis, or in the form of full-cast Radio 4 plays.

I do recognise the point at the heart of these walking critics’ objections; for many of them, walking is meditative, purifying pastime, where one sets oneself apart from the normal world and its noises. For them, background music or narration has no part to play in their sacred plod across the ancient landscape. I’m not a monster, and I can see what they are getting at.

Indeed, I often do just that – walking for hours without a sound but the birdsong, the scuff (or squelch) of my boots, the swish of wind or wave, and the occasional ominous rumble of thunder and patter of rain. This is a beautiful way to spend a day, and only rarely have I ended such a walk feeling less happy and refreshed (if physically exhausted) than I had when I started it.

However, on a longer walk – eight or more hours, for example - there is sometimes something extremely pleasant about having a story read to you, as your body trudges on, steadily eating up the miles. The downsides to listening to music and audiobooks whilst walking in the wilderness are not numerous, but are several.

Firstly, you can find yourself surprised, as I have been on a number of occasions, when other walkers come up behind you, without you having picked up on the normal warning signs of another’s approach; the clomp-clomp-clomp of boot on path, for example, or even the heavy breathing of someone who has laboured heavily up a steep incline. This moment of shock can be especially embarrassing if, for example, when one has been stuffing one’s face with lunch in an unsightly manner, chuckling at a gag or neatly-turned phrase, or have been gazing over the landscape with a vacant expression, all of which are embarrassingly likely.

Alternatively, albeit an experience that has not yet happened to me, but only then through dumb luck and my preference for narrative over music, whilst walking, is the risk that one might be singing along heartily to a piece of music being piped directly into your head, only discover that, contrary to your firmly-held belief, you are not actually alone.

For me, as I have recently tended to walk whilst listening to Wodehouse stories, another unlikely downside is the strange sensation of being in two places – two eras even – at the same time. Whilst I take in my surroundings, visually, I have occasionally had an odd but vivid feeling of also walking through the landscapes of Wodehouse’s world; the passages and messuages of Blandings Castle, for example, or the foppish elegance of Bertie Wooster’s Mayfair and the grand houses in Worcestershire, all suffused with an idyllic 1920s rose tint.

And then I wake with a start to realise that a lost walker behind me is asking if I know the way to Harter Fell or Threefooted Brandreth, for example, and I find myself frantically scrabbling the earphones from my head and trying to remember where – and when – I am.