Showing posts with label Pinewood. Show all posts
Showing posts with label Pinewood. Show all posts
Saturday, 10 September 2016
Pinewood, wouldn't you?
I have just achieved something that I feel like I have been waiting a lifetime to do; visited Pinewood Studios, near Iver Heath to the west of London. I went to see the recording of a comedy for the BBC, but for me the real reason for going was to be allowed inside the studio gates and have a bit of a look around. Sadly, Pinewood Studios do not do tours, nor do they allow casual visitors; they provide facilities for visiting production companies, and are naturally protective of their clients' confidentiality and intellectual property. For that reason, there are plenty of signs prohibiting photography, and studio audiences are not permitted to wander at will around the streets.
I didn't care. Just being there was enough. I have been wanting to visit Pinewood since I was a child. An avid fan of James Bond from my early years, I was well aware that Pinewood was the spiritual home of the series, and as I grew older, I was delighted to discover that the S.P.E.C.T.R.E. training base in From Russia With Love was actually Heatherden Hall, the Victorian manor house in whose grounds Pinewood Studios developed. The car chase in Goldfinger, in which Sean Connery's Bond crashes his Aston Martin DB5 into a wall, was also filmed in the back alleys of Pinewood Studios; today, the location of his crash is named, appropriately enough, Goldfinger Avenue.
I arrived ludicrously early for the recording, something that was not lost on the friendly security guard whom I asked for directions, and after abandoning my car in the Visitor's car park, I went for a wander around the perimeter of the studio. Turning left out of the grand new entrance gate, pictured above, I walked north along Pinewood Road, and was pleased with my view of the latest incarnation of the famous Albert R. Broccoli 007 stage, one of the largest sound stages in the world. It was originally built in 1976 for The Spy Who Loved Me, to house an enormous Ken Adam set, and has been destroyed by fire twice; in 1984 and 2006, the current version being completed in 2007.
Off to the right, new sound stages are springing up, the Studios having finally been given the green light to expand. As I walked along the road, I could just make out tantalising glimpses of sets wrapped up in black plastic on the new backlot, but the extension has been developed with large earth bunds protecting the view from nosy gawkers, like me, and I could see very little.
Just before the road bent round to the left, I noticed a small wooden gateway, which I realised excitedly followed the western boundary of the original studios, and I went in. This turned out to be part of Black Park Nature Reserve which, owing to its location, has also featured in a number of films, including Goldfinger, where it doubled for Switzerland in the night time car chase. It has also been used to film the 2006 version of Casino Royale, as well as Batman, Sleepy Hollow, some of the Harry Potter films and Robin Hood.
From the delightful woodland path, I could see marquees bering signs reading "Crowd Make Up". Further on, tall red-brick sound stages loomed, away off to my left and, eventually, the enormous blue-screen that backs onto the large exterior water tank came into view, through the trees. Cutting through a path to Pinewood Road, I walked back up the road to the gate, past the original mock-Tudor studio entrance, which now appears to be a turning for the local bus. New houses have been built, across the road from the old gateway, in what has been named, perhaps inevitably, "Bond Close".
Later, after the recording, we were directed back to the car park, past the 007 Stage itself. The pleasant but no-nonsense stewards were keeping us on the walkways marked on the roadways, but it was tantalisingly close. After a brief internal struggle, after which I decided that I would kick myself if I did not at least try to make the most of this chance, I approached the nearest steward and asked if I could leave the path and touch the stage. She considered the question and, to her credit, did not openly mock me for asking. Eventually, she agreed, provided I did not take any photos. Thanking her, I sprinted across Broccoli Road and slapped my palm against the concrete of the 007 Stage; I had touched the Bond Stage. It was all I needed, and it made me very happy.
Labels:
007,
Albert R. Broccoli,
Aston Martin,
cinema,
DB5,
film,
filming,
From Russia With Love,
Goldfinger,
Iver Heath,
James Bond,
Pinewood,
Pinewood Studios,
Sean Connery,
set,
sound stage,
Studios,
The Spy Who Loved Me
Wednesday, 2 March 2016
Hogwarts Express yourself
The interweb is a wonderful thing. This may sound like a trite observation, and that's predominantly because it is; it's a fantastically trite observation, but that doesn't, I'm pleased to report, stop it being true. Of course, there are bad parts of the internet, areas that upset, offend, humiliate and degrade, but then there are other areas that go at least some way towards making up for the rest.
I only bring this up because it has come to my attention that a recent post about a visit to the National Railway Museum in York was astonishingly - almost bafflingly - popular with you good folk out there in the interwebsphere. Particularly, for some reason, readers in Poland. Witam moi polscy przyjaciele! Anyway, it occurred to me that it might be interesting to test whether it was steam trains in particular that appealed, or something else and, while about it, I thought I'd throw some Harry Potter into the mix, too. Cynical, you say? Well, yes, possibly, but what is a body to do?
Anyway, the current reason that I have decided the interweb is, at times, a wonderful thing is the fact that, without it, I doubt I would have found out so much about Hogwarts Castle, the steam train on display at the Warner Bros. Studios, Leavesden (otherwise, and possibly more widely, known as the "Harry Potter Studio Tour"). I visited the Studios last year, and was absolutely bowled over by the entire experience; the scale and detail of the sets, salvaged from the film series, the quality of the invention, and he craftsmanship and imagination on display.
Even for people who are not interested in the Harry Potter films, per se, the experience is nevertheless absolutely overwhelming. I have long held a slightly obsessive interest in film studios (did you know, for example, that Google Streetview lets you take a walk around Pinewood and Shepperton Studios? You should check it out.) and the Warner Bros. Studios more than lived up to my potentially unrealistic expectations.
Leaving one section of the tour, visitors enter into a recreation of King's Cross, complete with an honest to goodness, large as life, real steam engine, Hogwarts Castle. This engine is the actual one from the films (unlike the recreations on display at the theme parks), emits smoke and the sound of a steam whistle, and is as physically imposing as some of the engines in the National Railway Museum. Although Hogwarts Castle is a real steam engine, however, as befits that fact that this is an artificial film world, neither the steam nor the sounds that come from it are the real thing, but are special effect recreations to evoke the appropriate atmosphere.
What I have recently learned from the interweb, and which started this post oh so long ago, is that Hogwarts Castle, as perhaps befits a feature player in a film, is not the engine's real name. In real life, Hogwarts Castle is the GWR 4900 Class 5972 Olton Hall, and I gather that steam enthusiasts regard the fact that a "Hall" plays the part of a "Castle" to be wryly amusing. Oh, the interweb, you do spoil us, sometimes.
Labels:
engine,
Great Britain,
Harry Potter,
Hogwarts,
Hogwarts Express,
King's Cross,
Leavsden,
National Railway Museum,
Pinewood,
Poland,
Polish,
railway,
railways,
Shepperton,
Steam,
U.K.,
UK,
Warner Bros
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