Hodge your bets

In Gough Square in the City of London stands the above statue to Hodge, Dr Johnson's cat (whose ears, I can't help but feel, are actually just a little too big). I first met this Hodge around Christmas time, one year, when he had a collar of tinsel, and a pleasingly festive air. He stands, on a plinth, outside Dr Johnson's house, on which is written "HODGE a very fine cat indeed belonging to SAMUEL JOHNSON", repeating a quotation attributed to him in in James Boswell's Life of Johnson. Dr Johnson is supposed to have said of his pet "He is a very fine cat, a very fine cat indeed."

There is something deeply humanising about hearing about how famous historical figures interacted with their animals, and indeed the names they gave to them. Hodge is a great name for a cat, but I think that I slightly prefer the name given by Edward Lear to his tubby tabby cat - Foss. I have also always liked the story about Hodge, again told by Boswell, that Dr Johnson would go out himself to buy oysters for his cat, rather then make is servants do it, so that they wouldn't dislike Hodge for having been put to extra work.

Jurassic Parklife

Sometime in 1852, sculptor and natural history artist Benjamin Waterhouse Hawkins was commissioned to create 33 "life-size" models of extinct animals (including, most famously, dinosaurs) out of concrete, to be displayed to the public. The fact that the very idea of dinosaurs was relatively new (the name "Dinosauria was only given to these creatures by Sir Richard Owen in 1842) and not altogether well-understood (Darwin's "On the Origin of Species" was not published until 1859) does not appear to have dissuaded Hawkins unduly. Over the following three years, accordingly, and in collaboration with Owen and other paleontologists, Hawkins set about creating the arrestingly odd collection of figures that are still on display in the grounds of Crystal Palace in South London today.

I had heard about these unlikely beasts years before, but only recently had determined to actually make the effort required to visit them and was still unsure what to expect. The Crystal Palace site is, itself, a remarkable remnant of times past. Although it was the second location of the enormous glass exhibition hall, first erected in Hyde Park for the Great Exhibition of 1851, just about all that remains of it is the footprint of the giant building. Below this are the surviving steps leading down to wide terraces, whose glory days of supreme manicuring are, presumably, long gone.

The building itself burned to the ground in 1936, having been moved from Hyde Park (and greatly expanded in the process) in 1854. Wandering about the ruins today, and seeing tantalising hints of what might have been, tucked away behind wire fences and beneath the undergrowth, here and there, it is hard to escape the feeling that the world that the Victorians experienced, for all that it had undoubted and extreme deprivations for many, was also almost unbelievably breathtaking; an age of supreme ambition. Even before its move and inflation, the original Crystal Palace in Hyde Park was 1,851 feet (564 m) long, 128 feet (39 m) tall and with 990,000 square feet (92,000 m2) of floor space, and in its new location its scale only increased.

Today, several levels below where the Crystal Palace once stood, despite years of ridicule for their appearance, once dinosaurs became better understood (and their 1850s appearance having been dismissed as inaccurate), having been ignored, overgrown, rediscovered and restored (more than once), the dinosaurs still reside beside their pools of water. They were most recently restored in 2002 and are now Grade I listed buildings (pleasingly, the same classification as Buckingham Palace and the Palace of Westminster). They are, without question, an odd day out. In fact, and with all due respect to them, they probably do not merit a complete day in themselves (if you're interested, it's also worth checking out the Park Farm, nearby, as well as the ruins of Crystal Palace) but they are certainly worth a visit.

They are broadly laid out in different geological eras, and include figures of prehistoric mammals, but it is the dinosaurs, including the iguanodons, pictured above, that are the real draw. Don't go expecting a real life Jurassic Park experience; these beasts are static and don't really accord with our current understanding of what dinosaurs looked like. Thinking abut it, however, we really shouldn't be too smug about what we consider to be "knowledge"; in my lifetime alone, for example, dinosaurs have gone from being widely believed to be big green scaly monsters, to brightly coloured feathered creatures,. Any assumption that our current era really "knows" anything should, within certain parameters, be treated with great suspicion.

As I was going to St. Ives...

      As I was going to St. Ives,

      I met a man with seven wives,

      Each wife had seven sacks,

      Each sack had seven cats,

      Each cat had seven kits:

      Kits, cats, sacks, and wives,

      How many were there going to St. Ives?

So runs the famous riddle. I suppose it still counts as a riddle even if there is no clear or widely accepted answer to it, but that doesn't make it any less irritating. It also quite neatly sums up some of my objections to mathematics, as as subject, an aversion which probably dates back to my school years. I can still vividly recall, as an eleven year old boy, being given an impromptu maths test that included the question, "If it takes four minutes to boil one egg, how long does it take to boil eight eggs?" Naively assuming that, in a maths lesson, it was a maths, rather than a cookery, question, I dutifully multiplied four by eight to answer "32 minutes". Of course, the answer was four minutes, because you can boil all the eggs at the same time, not that boiling even a single egg was something I think I had done at that age. Any possible interest I may have had in maths died that moment, and thereafter I considered the subject to be annoying, tricksy and deceitful.

All of which is a surprisingly negative way of introducing a post about St. Ives, the little seaside town on the north coast of Cornwall, England; a place that I visited for the first time in 2015, and almost immediately fell in love with. I had been to Cornwall several times before, and had even done some volunteer work near Penzance on the south coast, but this was the first occasion that I had been to this part of the county. St. Ives is unashamedly a tourist village, and every Friday and Saturday the roads are jammed as one group of holidaymakers swaps over with the next set. Despite this, the place managed to accommodate all of these tourists without feeling overly spoiled.

It has come a long way from its origins, as a sleepy fishing village, but there is nevertheless a clear sense of a real community remaining beneath the seasonal tide of emmets (the Cornish name for tourists, from an old English word for ants - the logic speaks for itself). For many, the draw of St. Ives is the bright blue sea, and its warm sandy beaches. St. Ives is surrounded by bays, each of which offers something different for different people. For families who wish to sunbathe and paddle, there is the broad expanse of Porthminster Beach, with its cafes and restaurant. To the north west, there is Porthmeor Beach, which draws surfers and bodyboarders. Around the natural promontory known as The Island, between the two, there are three or four other little sandy alcoves, which slowly fill up with holiday-makers.

The town itself is full of the usual shops and restaurants that one would expect of the seaside, but St. Ives also has an outpost of the Tate Gallery, as well as a museum dedicated to the sculptor Barbara Hepworth, who used to live there (some of whose works are also dotted around the town). Tucked away in the winding streets of the town itself are dozens of little art galleries and shops selling a wide variety of attractive oddments. It feels like a creative place, and one where people are encouraged to be themselves.

I had had a hectic and stressful time before I arrived, and so I was more than content to swim in the sea, and wander the streets, never once getting back into my car. Slowly, over the following week, I began to feel myself unwinding, and the taste of salt water on my lips brought back pleasant memories of childhood holidays by the sea. One day, splashing about in the water, I was startled to see the head of an equally curious harbour seal in close proximity, which soon disappeared beneath the waves, leaving me uncertain as to what I had seen. Later that evening, walking along Smeaton's Pier, I was reassured to see two of these lovely animals rolling languorously in the shallow waters beneath. St. Ives felt very much at ease, with itself and its temporary inhabitants, and that sense of relaxation was exactly what I needed. 

Tales from the American Bar

The American Bar of the Savoy Hotel, London is an art deco masterpiece, and the origin of a number of world-famous cocktails. Dotted around its curving walls are pictures of stars of yesteryear who once frequented it - among them, Clark Gable, Errol Flynn, Fred Astaire, and Marlene Dietrich - and with a live pianist cranking out and singing the classics, it's a place worth visiting for a drink or two.

Last year, I went on my birthday, partly in search of a cocktail to match one I had enjoyed in New York earlier in the year. On our last night in New York, we had gone to the bar at Perry St., where an amazing mixologist called Mac listened to our moods and preferences, and went away to do strange and unusual things with alcohol and mixers.

When he returned a little later, he watched as a waiter dished out our various drinks, and before we were allowed to taste them, he have us their history (some were pre-prohibition, he explained). My cocktail was to be an Aviation, but he told me to wait before sampling it, as he poured a violet-coloured liquid down a glass mixing stick. I gather that the Aviation is made with gin, maraschino liqueur, crème de violette, and lemon juice, but this simple list is, I suspect, only the half of the mixer's skill.

It was, without question, the single best cocktail I had ever had, and on a few occasions since, I have tried, and failed, to get somebody to replicate it. My New York Aviation, pictured above, had a floating "cloud-base", and a flavour of a delicate complexity that I have not experienced before or since. All mightily impressed, we asked Mac where he had learned his almost alchemical craft. "I trained," he said, "under a full-blooded Cherokee named Ed," and we nodded sagely at this semi-mystical statement.

Back at the Savoy, more recently, I ordered another Aviation, expecting a two layered drink of wonder, but instead I received a disappointingly ordinary-looking glass containing a drink of one colour and a maraschino cherry. I have learned, subsequently, that some mixers omit the crème de violette, and it may be that this is the missing magic, or maybe there was something in the teachings of Ed, passed down to Mac, that are simply not replicable by ordinary mortals.

Feline groovy

I haven't written about this before, but I love cats. I don't have any myself, but wherever I go I am drawn to our bewhiskered dumb chums, and will never consider a moment wasted that is spent communing with my feline friends. I am well aware that cats and the interweb are a well-worn trope, but as we approach Christmas, I feel no (or, at the very least, little) shame in contributing to the global quotient of cat-based blog posts.

I met this particularly smiley cat in Borrowdale in the Lake District in March this year. I first spotted her as she was lurking up a bank, watching with suspicion passers by like me, as we walked along a lane from a campsite to a farm, where the showers were. On spotting her, I blinked my greeting - the traditional way of introducing oneself to cats - and she leapt onto the road to greet me. She was small and friendly, but unquestioningly an independent countryside cat.

Having showered and changed into clean dry clothes (a simple but unbeatable luxury after a cold wet night) I wandered back past her again, on my way back to the tent. She was happy to be stroked, and for a few minutes we passed the time of day in this pleasant way; me tickling her about the ears, and she purring warmly.

After a bit, she decided that there were interesting smells to be investigated beside a nearby stream, and together we checked them out, she occasionally returning to be stroked. Eventually, I decided to leave her to her stalking, and returned to the waterlogged campsite. Later that day, I asked the farmer what the cat's name was. She thought for a minute, and then said, "Oh, she doesn't really have one. She's just Cat."

Wild night at the Red Onion

The bus from Whitehorse rolled into Skagway late afternoon. It was knocking on the end of September, and the small city's streets which, I presumed, would over the summer months be thronged with tourists disembarking from the cruise liners docked at the quays, were largely deserted. I did not mind this, and rather relished the opportunity to walk the wooden sidewalks unjostled.

Skagway became the place it is thanks to the gold rush, where it was a vital stopping post for prospectors, en route to the gold fields in the Yukon. I had read Pierre Berton's lively history of the gold rush ("Klondike: The Last Great Gold Rush", which I would recommend to anybody), and already had a vivid image of the place back in its lawless gold rush days, over a hundred years before.

The modern Skagway was an odd combination of clean parodies of its own history and general tourist tat, and it was with some surprise when, after quite a bit of searching, I finally found Jeff "Soapy" Smith's Parlor (a grand name for an abandoned wooden shed) on Second Avenue. "Soapy" Smith acquired his nickname by being the master of a particular confidence trick - you sell cakes of soap, wrapped in paper, and demonstrate to the punters that you have wrapped dollar bills - sometimes up to a hundred dollars' worth - under the paper of some of the bars. You then sell perfectly normal soap for a dollar a piece, with the punters hoping to get one with the money. Except that the one with the money is never available to the ordinary punters, only to confederates, who demonstrate their "successes", to urge others to buy in.

In the early, lawless, days of Skagway, "Soapy" Smith realised that there were easier ways of making money from the gold rush than by the hard work of mining for gold, and set to work mining the prospectors, instead. To this end, Jeff. Smith's Parlor offered, for a premium, to send messages back to the loved ones left behind. The only problem with this being that "Soapy" Smith's Parlor did not have a connection to the telegraph lines - at the time, there wasn't one, this far north. Before he reached is inevitably bloody end in the summer of 1898, gunned down on Juneau Wharf, "Soapy" Smith was in charge of his own militia. When I visited it, his Parlor was boarded up, in an overgrown yard behind a wire fence, a somewhat sorry memorial to a dastardly, yet undeniably colourful individual.

That evening, having found some food in one of the few restaurants that was still open, I wandered back towards the quay, where the ship that was to take me back south down the Inside Passage was waiting, and sat in the bar of the Red Onion Saloon. As it boasted, albeit in a slightly coy way, it had been a brothel, back in the city's "glory" days, but it had obviously become the contemporary city's local.

Over a beer or two, I watched the summer workers, who would also be joining the ship heading south, as they celebrated their last night in town. It felt like the end of term, as kids who had made friends whilst they worked the summer season said their goodbyes to one another. They partied with a slightly sad air; former strangers who had been thrown together for a time, had fun, maybe even fallen in love, but who knew that they might never see each other again.

In the gent's, somebody had written a short poem of Emily Dickinson on one of the walls. Later, from the bow of the ship, as I watched the city's lights fading off into the night, it seemed to me to match perfectly the wistful mood of the evening:

So set its sun in thee,
What day is dark to me—
What distance far,
So I the ships may see
That touch how seldomly
Thy shore?

The Lions of West 12th Street

There are numerous famous lions in New York City. There are the glorious and proud carved animals who pose nobly outside the New York Public Library, for example, and any number of others, from across a wide expanse of world history, in the Met and the city's other museums. Walking along West 12th Street, one morning, on my way to the subway, however, I came across a particular pair of lions that struck me as slightly unusual.

I say "lions", but what I really mean, of course, is "a lion and a lioness", because rather than identical, matching statues of two male lions, which is what you usually see dotted about the place, the lions outside this particular brownstone were a male and female couple, one on either side of the steps; a large male, with a full mane, and a smaller and sleeker female. The lion sits, with his tongue protruding slightly, as if cheekily rasping the neighbourhood, whilst his mate has her mouth clothed, her head up, alert.

I don't believe I have ever seen a pair - a genuine couple, indeed - of lions, like this, so I took a picture, and then wandered on my way. Later, I looked for an explanation online, assuming that so distinctive a pair of guardians would have attracted the attention of other commentators, or possibly have a famous story attached to them that would be recorded somewhere. Perhaps I have been looking in the wrong place, or perhaps I have ascribed unwarranted rarity to perfectly mundane ornaments, but I have yet to find any explanation of the West 12th Street Lions.

In the absence of an obvious explanation, therefore, I have imagined a vivid scene set at some point in the 19th-century, where a delightful and mildly eccentric married couple decide to commission statues representing themselves to adorn their new property. A marriage of true equals, where each partner respected the other, there would naturally have been no suggestion of two identical male lions framing their doorway. Instead, and to reflect the husband and wife within, the West 12th Street Lions were born, to the possible bemusement and outrage of their more hidebound neighbours.

If anybody reading this knows anything about them, or indeed the real story, please let me know in the comments, below.